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Bad Boy Allen Iverson
Allen Iverson is different from other players.He often quarrels with his coach.He plays like a lion for his team.But he also draws picture in a funny way for his teammates in the locker room.(更衣室e799bee5baa6e58685e5aeb9362)
People say that Iverson is among the greatest guards of his age and one of the best scorers(投篮手)in the history of NBA games.
To help his poor family live a better live,Iverson entered the NBA in 1996.It seems that he has never stopped being a troublemaker.He gets into fights ang has had troubles with police.
While on the court,his wild heart becomes a fighting spirit full of passion(热情).He is quick and no one can stop him in one-on-one play.He can do very well in free throws.
Iverson is also a good ballthief.He is knomn for ball passing skills and is among the league leaders in steals(抢断).
Though he is wild,Iverson has a kind heart.He once said:"If I can leave this planet(行星)knowing that my friends and family are all right,that's good enough for me.That's all I need to know."
For the novella, see Rita Hayworth and Shawshank Redemption.
The Shawshank Redemption
总的简介
The Shawshank Redemption is a 1994 American prison drama film, written and directed by Frank Darabont, based on the Stephen King novella, Rita Hayworth and Shawshank Redemption. The film stars Tim Robbins as Andrew "Andy" Dufresne and Morgan Freeman as Ellis Boyd "Red" Redding.
The film portrays Andy spending nearly two decades in Shawshank State Prison, a fictional penitentiary in Maine, and his friendship with Red, a fellow inmate. This movie exemplifies the potential gap between initial box office success and ultimate popularity. Despite a lukewarm box office reception that was barely enough to cover its budget, The Shawshank Redemption received favorable reviews from critics and has since enjoyed a remarkable life on cable television, home videotape, DVD and Blu-ray. It continues to be hailed by critics and audiences alike, 15 years after its initial release, and is ranked among the greatest films of all time.
以下是剧情：
In 1947, a banker named Andrew "Andy" Dufresne[1] is convicted of murdering his wife and her lover based on strong circumstantial evidence and is sentenced to two consecutive life sentences at Shawshank State Penitentiary in Maine. At the prison, inmate Ellis Boyd "Red" Redding is rejected for parole after having served twenty years of his life sentence shortly before Andy's arrival. Andy gradually becomes acquainted with Red's circle of friends, and Red himself, who is known for cleverly smuggling in contraband. After a month of adjusting to his new life, Andy approaches Red and asks him to get a rock hammer, intending to pursue a hobby of rock collecting. Red supplies the hammer for ten dollars, and later fulfills Andy's request for a poster of Rita Hayworth.
One day in 1949, while tarring the roof of Shawshank's license plate factory, Andy overhears the captain of the prison guards, Captain Hadley, bitterly complaining about the taxes he will have to pay on a forthcoming inheritance. Andy approaches Hadley with a solution that will allow him to keep the entire inheritance tax-free; though Hadley nearly throws Andy off the roof initially, Andy's willingness to set up the transaction for the cost of beer for the tarring crew wins Hadley's respect. Prior to this, Andy had frequently been beaten and sexually assaulted by a gang called "The Sisters", led by inmates Bogs and Rooster. After a particularly vicious beating at the hands of the Sisters lands Andy in the infirmary, Bogs returns to his cell from a week in solitary confinement to find Captain Hadley there. Hadley inflicts a brutal nightstick beating on Bogs, which leaves him paralyzed. Bogs is sent away to a state hospital, and the message to the Sisters is clear; Andy is never bothered again.
As other guards begin to come to him for financial help, Andy is given a makeshift office in the prison library to provide tax and financial services. His "clientele" grows to include the entire prison staff, guards from other prisons, and even Warden Norton himself. To keep Andy happy, the Warden provides him with a single cell and allows him to keep an unusual amount of contraband in his cell. Conspicuous amongst the contraband are Andy's posters of "fantasy girlies" - first Rita Hayworth, followed over time by Marilyn Monroe and then Raquel Welch. The Warden also permits Andy's letter-writing campaign on behalf of the prison library; through Andy's budgeting and purchasing activities, the library is expanded and remodeled into the "best prison library in New England". The Warden capitalizes on Andy's skills and devises a program to put prison inmates to work for local construction projects, exploiting the prisoners' free labor for his own personal profit, with Andy acting behind the scenes as a money launderer. Andy uses his knowledge of "the system" to create the false identity of Randall Stephens, which he uses as a straw man to hide the Warden's involvement.
In 1965, a young prisoner named Tommy Williams enters Shawshank on a breaking and entering charge, and quickly becomes part of Red's and Andy's group of friends, with Andy helping him to pass the GED test. He learns of Andy's supposed crime and makes a shocking revelation: Elmo Blatch, one of his old cellmates, had gleefully described murdering two people who fit the description of Andy's wife and her lover, and how her "hotshot banker" husband got blamed for it. Andy hopes that he will be able to get a new trial with Tommy's help, and he approaches Warden Norton for advice and assistance. Fearing exposure of his illegal activities at Shawshank should Andy be set free, Norton sends him to solitary confinement and conspires to have Hadley shoot Tommy as an escapee. After Norton informs Andy of Tommy's death, Andy tries to refuse to launder any more funds for Norton. However, when Norton threatens Andy with the loss of his private cell, the loss of his protection against the "Sodomites", and the destruction of his beloved library - complete with a book burning - Andy relents, by all appearances a beaten man.
When Andy is back in the prison yard, he tells Red that if he ever gets out of prison he should go to a specific hayfield near Buxton, Maine to find something that has been buried under a volcanic rock. The following morning, Andy is missing from his cell. In a fury over Andy's disappearance, the Warden throws one of Andy's rocks at the poster of Raquel Welch - and is stunned to see the rock tear through the poster, revealing a large hole that Andy had used to escape. In a flashback sequence, it is revealed that Andy spent years chipping away at the wall of his cell with his rock hammer, using the posters of Hayworth, Monroe and Welch to conceal it. After his escape, Andy assumes the identity of Randall Stephens and uses it to withdraw Warden Norton's laundered money - $370,000 worth (over $2.4 million in 2009 dollars). Cashier's checks in hand, Andy sends evidence of Norton's activities to a Portland newspaper. The morning the story runs, Byron Hadley is arrested and Warden Norton commits suicide in his office.
The next year, 1967, Red is finally released on parole after serving 40 years at Shawshank. Red is afraid of "the outside", dreading living in fear, worried that he would end up committing suicide once outside of the prison's strict regime, as fellow prisoner Brooks Hatlen had done. Coincidentally, he's given the same room and the same job Hatlen had. But instead of committing suicide, Red recalls his promise to Andy and heads to the field in Buxton that Andy told him about. He finds a small metal box containing money and a letter from Andy. In the letter, Andy reminds Red of Zihuatanejo before ending with a final message: "Hope is a good thing, maybe the best of things, and no good thing ever dies". Red then violates his parole and travels to Mexico, eventually reuniting with Andy in Zihuatanejo on the Pacific coast. Both of them are elated and hug each other when they meet at the coast.
你要的经典台词：（附翻译）
Civilized,Strategic.
讲文明，重策略。
Remember, Red, hope is good thing, mabye the best of things. And no good thing ever dies.
Red，记住，希望是件美丽的东西，也许是最好的东西。美好的东西是永远不会死的。
Andy Dufresne: Here’s where it makes the most sense. You need it so you don"t foget. Foget that there are palce in the world that aren’t made out of stone That there’s a---there’s a---there’s something inside that’s yours, that they can’t touch.
安迪.杜德兰:这就是意义所在。你需要它，就好像自己不要忘记。忘记世上还有不是用石 头围起来的地方。忘记自己的内心还有你自己的东西，他们碰不到的东西。
I have no idea to this day what those two Italian ladies were singing about. Truth is, I don’t want to know. Some things are better left unsaid.
到今天我还不知道那两个意大利娘们在唱些什么，其实，我也不想知道。有 些东西还是留着不说为妙。
I’d like to think they were singing about somethings so beautiful,it can" t expressed in words,and it makes your heart ache because of it.I tell you, those voices soared higher and farther than anybody in a great place dares to dream. It was as if some beautiful bird had flapped into our drab little cage and made these walls dissolve away, and for the briefest of moments, every last man in Shawshank felt free.
我想她们该是在唱一些非常美妙动人的故事，美妙得难以用言语来表达，美妙的让你心痛。告诉你吧，这些声音直插云霄，飞得比任何一个人敢想的梦还要遥远。就像一些美丽的鸟儿扑扇着翅膀来到我们褐色牢笼，让那些墙壁消失得无影无踪。就在那一刹那，肖申克监狱的每一个人都感到了自由。
That’s the beauty of music. They can’t take that away from you.
这就是音乐的美丽。他们无法把这种美丽从你那里夺去
I have to remind myself that some birds don’t mean to be caged . Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up. DOES rejoice. Still, the place you live in is that much more drab and empty that they’re gone. I guess I just miss my friend.
我得经常同自己说，有些鸟儿是关不住的。他们的羽毛太鲜亮了。当它们飞走的时候，你心底里知道把他们关起来是一种罪恶，你会因此而振奋。不过，他们一走,你住的地方也就更加灰暗空虚。我觉得我真是怀念我的朋友。
Fear can hold you prisoner. Hope can set you free
恐惧让你沦为囚犯。希望让你重获自由
it takes a strong man to save himself, and a great man to save another
坚强的人只能救赎自己，伟e69da5e887aa7a64362大的人才能拯救他人
Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!
记着，希望是件好东西，没准儿是件最好的东西，而且从没有一样好东西会消逝！
给分吧～～找的好幸苦的～！
我很喜欢 里面的各个人物刨析，就像我们生活中每个人的状知态和追寻的东西不一样，主人公原本就不属于那里 所以他自己很坚信，而这种力量一直在支撑着他，然而道有些人已经习惯了妥协了 离不开了，专也未尝不是一种宿命，但他想要的一种生活燃烧在心里，所以必须内心强大，要适应环境 学以致用 交挚友 他的信仰从未停属止。
The Shawshank Redemption (1994) is an impressive, engrossing piece of film-making from director/screenwriter Frank Darabont who adapted horror master Stephen King's 1982 novella Rita Hayworth and Shawshank Redemption (first published in Different Seasons) for his first feature film. The inspirational, life-affirming and uplifting, old-fashioned style Hollywood product (resembling The Birdman of Alcatraz (1962) and Cool Hand Luke (1967)) is a combination prison/dramatic film and character study. The popular film is abetted by the golden cinematography of Roger Deakins, a touching score by Thomas Newman, and a third imposing character - Maine's oppressive Shawshank State Prison (actually the transformed, condemned Mansfield Ohio Correctional Institution or State Reformatory).
Posters for the film illustrate the liberating, redemptive power of hope and the religious themes of freedom and resurrection, with the words: "Fear can hold you prisoner, Hope can set you free." Darabont's film is a patiently-told, allegorical tale (unfolding like a long-played, sometimes painstaking, persistent chess game) of friendship, patience, hope, survival, emancipation, and ultimate redemption and salvation by the time of the film's finale.
It was nominated for seven Academy Awards, including Best Picture, Best Actor (Morgan Freeman), Best Adapted Screenplay, Best Cinematography, Best Editing, Best Original Score, and Best Sound - but it failed to win a single Oscar. And the film's director failed to receive a nomination for himself!e799bee5baa6e997aee7ad94e59b9ee7ad94366 In the same year as Forrest Gump, Pulp Fiction, and Speed, they received all of the attention. Only through positive word-of-mouth (following cable TV and broadcast airings, and then video releases) did the film do well - although its original reception at the box-office was lukewarm. The film was the precursor for another inspirational and popular film (and a similar adaptation of a Stephen King story by writer/director Frank Darabont) - The Green Mile (1999).
To economically compress events during the credits sequence, a scene outside a cabin is intercut with a courtroom trial scene. [The year is 1946.] A Plymouth is parked outside a cabin [belonging to a golf pro engaged in an affair with an adulterous wife]. During a dark, quiet night in the wooded area near the cabin, the driver (the woman's husband) reaches for his oily, rag-wrapped gun in the glove compartment where bullets are also concealed. To fortify himself, he takes a swig of Rosewood bourbon from a glass bottle held in his lap. In the courtroom, the driver is identified as Andy Dufresne (Tim Robbins). He is interrogated by the D.A. (Jeffrey DeMunn) and charged with murder: "Mr. Dufresne, describe the confrontation you had with your wife the night that she was murdered." The well-dressed, mild-mannered defendant calmly speaks: "It was very bitter. She said she was glad I knew, that she hated all the sneaking around. She said she wanted a divorce in Reno...I told her I would not grant one." The D.A. rephrases Andy's response with his actual words:
'I'll see you in Hell before I see you in Reno.' Those were the words you used, Mr. Dufresne, according to the testimony of your neighbors.
Obviously, Andy's wife (Renee Blaine) was having an affair with Glenn Quentin (Scott Mann), the golf pro at the Snowdon Hills Country Club. According to Andy, he felt confused and drunk, loaded his gun with bullets and intended to commit the crime, but then after quickly "sobering up," he had second thoughts. On his way home, according to his testimony, he discarded his gun: "...I stopped and I threw my gun into the Royal River."
The next morning, the bullet-riddled bodies of Andy's wife and her lover - in bed - were discovered. Andy's "very convenient" (acc. to the DA) testimony and unbelievable profession of innocence, coupled with the fact that "the police dragged that river for three days and nary a gun was found," seem rather suspicious to the D.A. The water washed away all evidence of his alleged innocence.
The D.A.'s closing summary to the jury, illustrated with a brief flashback-montage of the adulterous couple's passionate lovemaking (and obvious 'sin'), also points to Andy's undeniable guilt [it looks quite likely that Andy is guilty of the crime, although he has trouble remembering]:
We have the accused at the scene of the crime. We have footprints, tire tracks. We have bullets strewn on the ground which bear his fingerprints. A broken bourbon bottle, likewise with fingerprints. And most of all, we have a beautiful young woman and her lover lying dead in each other's arms. They had sinned. But was their crime so great as to merit a death sentence?...A revolver holds six bullets, not eight. I submit that this was not a hot-blooded crime of passion. That, at least, could be understood if not condoned. No - this was revenge of a much more brutal and cold blooded nature. Consider this. Four bullets per victim. Not six shots fired but eight. That means that he fired the gun empty and then stopped to reload so that he could shoot each of them again. An extra bullet per lover, right in the head.
The "icy and remorseless" man is sentenced by the Maine judge (John Horton) to "serve two life sentences back to back - one for each of your victims." The gavel marking the sentence pounds the screen to black.
The next scene, another scene of judgment, commences with noisy, iron bars sliding open, and another door opening into a room where five men sit at a table. An unexpected scene, this is the parole hearings room of maximum-security Shawshank Prison, where a black prisoner/lifer (#30265) named Ellis Boyd "Red" Redding (Morgan Freeman) - the real hero of the story, after serving twenty years of his sentence, receives his cursory annual review [in the year 1947]. [The entire film is basically told from Red's perspective, and much of the film is centered around the theme of observation, perception and seeing - especially Red's observation of the other main protagonist, Andy Dufresne (Tim Robbins).]
Red religiously vows his rehabilitation has been accomplished - and swears - "that's the God's honest truth":
Reviewer: You feel you've been rehabilitated?
Red: Oh, yes sir. Absolutely, sir. Yeah, I've learned my lesson. I can honestly say that I'm a changed man. I'm no longer a danger to society. That's the God's honest truth.
A mechanical stamp marks "REJECTED" in red ink on his parole records. [The picture in his parole document is that of Morgan Freeman's own son, Alfonso.] In the prison's exercise yard following the "same ol' s--t" review, Red begins his ubiquitous voice-over narration (of his recollections) - a world-weary, resonant voice-over that continues for the remainder of the film. He is the prison's respected retriever - who sneakily passes contraband from hand to hand:
There must be a con like me in every prison in America. I'm the guy who can get it for you. Cigarettes, a bag of reefer if that's your thing, a bottle of brandy to celebrate your kid's high school graduation, damn near anything within reason. Yes sir, I'm a regular Sears and Roebuck.
Prison sirens blast as a ritualistic prison event is heralded - the arrival of fresh, new prisoners (termed "fresh fish") in a drab-gray school bus. Red recollects back: "So when Andy Dufresne came to me in 1949 and asked me to smuggle Rita Hayworth into the prison for him, I told him - 'No problem.'" A well-orchestrated, helicopter/aerial shot, one of the most acclaimed shots in the film, moves up from the arriving bus, ascends the main tower of the gothic prison, and peers down into the prison courtyard where ant-like prisoners scurry toward the fenced-in arrival area to gawk, size up, and jeer the new arrivals during their disembarkment:
Andy came to Shawshank Prison in early 1947 for murdering his wife and the fella she was bangin'. On the outside, he'd been vice-president of a large Portland bank. Good work for a man as young as he was.
Andy, dressed conspicuously in his banker's suit, is seated in the back of the bus. As the bus turns the corner into the prison, there are five blue-uniformed guards waiting there - the chief captain of the guard, Byron Hadley (Clancy Brown) motions the bus into position. Chained together, the prisoners exit from the bus, walk in single-file, and are lined up for inspection. Andy appears tormented and terrified as he nervously walks into his new surroundings while surrounded by shouting, taunting spectators who shake the fence. The old-timer inmates bet "smokes" on the new 'horses' and who will break first - Floyd (Brian Libby) bets on "that little sack of s--t...eighth from the front, he'll be first." Heywood (Bill Sadler) chooses "that chubby fat-ass there, the fifth one from the front." Red votes for the fragile-looking Andy ("that tall drink of water with a silver spoon up his ass" - a veiled reference to Andy's upcoming rape) at the end of the line:
I must admit, I didn't think much of Andy first time I laid eyes on him. Looked like a stiff breeze would blow him over. That was my first impression of the man.
Andy glances up at the imposing walls above him - walls that will close in on his life during two consecutive life sentences - as he is marched in. In an admitting area, the prisoners meet Mr. Samuel Norton (Bob Gunton), the self-righteous, Bible-carrying Warden:
You are convicted felons. That's why they sent you to me. Rule Number One: No blasphemy. I'll not have the Lord's name taken in vain in my prison. The other rules you'll figure out as you go along.
Hadley cusses right into the face of a disrespectful prisoner who has asked: "When do we eat?" The guard inhumanely jabs his baton into the gut of the man ("you maggot-dick motherf--ker!"). The Warden finishes his short, pompous introduction - with another reference to anal rape!:
I believe in two things - discipline and the Bible. Here you'll receive both. Put your trust in the Lord. Your ass belongs to me. Welcome to Shawshank.
To remove all vestiges of their identity (or contamination) from the outer world, the new cons are made to undress, then hosed down in a steel cage with high pressure water spray, and deloused with scoops of white delousing powder. As part of their degrading processing, they are given prison clothes and a Bible, and marched exposed and naked to their individual cells, their new homes in the cellblock - a three-tiered structure of concrete and steel.
The first night's the toughest, no doubt about it. They march you in naked as the day you were born, skin burning and half blind from that delousing s--t they throw on you, and when they put you in that cell, when those bars slam home, that's when you know it's for real. Old life blown away in the blink of an eye. Nothing left but all the time in the world to think about it. Most new fish come close to madness the first night. Somebody always breaks down crying. Happens every time. The only question is, who's it gonna be? It's as good a thing to bet on as any, I guess. I had my money on Andy Dufresne. I remember my first night. Seems like a long time ago.
As part of their entertaining betting game, the inmates taunt and 'bait' the "fishees" or first-timers - and "they don't quit till they reel someone in." The one nicknamed 'Fat-Ass' (Frank Medrano) is mercilessly teased by a leering Heywood: "This place ain't so bad. Tell ya what. I'll introduce ya around. Make you feel right at home. I know a couple of big ol' bull queers that'd just love to make your acquaintance, especially that big white mushy butt of yours." When the squeamish, hyperventilating victim wails and pleads despairingly: "Oh God! I don't belong here! I wanna go home," the prisoners chant: "Fresh fish!" The oppressed 'Fat-Ass' blubbers his unheard complaints to Hadley and is beaten with an unceasing rain of baton blows and kicked in the face until he lies still on the cold floor. The captain of the guard commands his lackeys: "Call the trustees. Take that tub of s--t down to the infirmary." Red loses his cigarette bet to Heywood:
His first night in the joint, Andy Dufresne cost me two packs of cigarettes. He never made a sound.
The next morning after a head-count in front of their individual cells in the cellblock, the prisoners are marched to the mess hall for breakfast. As Andy moves through the room, one of the 'bull queer' inmates named Bogs Diamond (Mark Rolston) gives him a salacious glance. As he begins eating a scoop of oatmeal on his metal tray, Andy picks out a squirming white maggot with his fingers. A neighboring, elderly inmate Brooks Hatlen (James Whitmore) inquires: "Are-are you going to eat that?" With everyone expecting that Brooks will eat the wiggling creature, he instead offers the "nice and ripe" maggot to a baby crow (named Jake) nestled in the inside pocket of his droopy blue sweater - he is its caretaker (in its prison cage) until it matures and flies away to freedom: "Fell out of his nest over by the plate shop. I'm gonna look after him until he's big enough to fly." [Brooks with his pet crow brings to mind the film: The Birdman of Alcatraz (1962).]
Heywood gleefully gloats about winning the bet and collects cigarettes as payment from everyone: "I want 'em all lined up just like a pretty little chorus line." But his victory is won with a deadly toll and price for 'Fat-Ass' - "Dead. Hadley busted his head up pretty good. Doc had already gone home for the night. Poor bastard laid there till this morning. By then, hell, there was nothing we could do." In the communal shower room, Bogs - one of the prison's notorious Sisters (the prison's resident rapists), expresses a liking for Andy and asks him a leading question:
Hey, anybody come at you yet? Anybody get to you yet? Hey, we all need friends in here. I could be a friend to you. (Andy breaks away without responding) Hey, hard to get. I like that.
Andy's assigned job is to work in the prison laundry room, where he "kept pretty much to himself at first. I guess he had a lot on his mind, trying to adapt to life on the inside. It wasn't until a month went by that he finally opened his mouth to say more than two words to somebody." While Red plays catch in the prison yard, Andy (joking that he's "the wife-killing banker") ambles over to break the month-long silence: